In Vilde's often overwhelming and abundant happenings, she invites the onlookers into an intensified, reimagined universe, where she makes myths and stories around the small things present. She often bases this on elements connected with rites of passage, like a meal or a bath, and creates a story where the onlooker becomes an active part. All living organisms has one thing in common, the breath, in and out. Plants, animals, planets, everything has its rhythm. They expand and contract, rhythms and interruptions. The interruption is part of the rhythm, and Vilde is concerned that this might be forgotten. She wants to enter the timelessness that lies in the interruption, and tries to makes places and situations that are clockless and often places herself both inside and outside the gallery or institution.